The Girliest Director in Hollywood.

Sofia Coppola

"You're considered superficial and silly if you are interested 
in fashion... But I think you can be substantial and still be 
interested in frivolity."
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“I try to imagine what I’d like to see.”

As well as being known as the ‘Queen’ of the perfume adds (such as Dior and Marc Jacobs), Sofia Coppola is by far the girliest director in Hollywood. Daughter of the famous director Francis Ford Coppola who made The Godfather, Sofia first began experimenting with photography, costuming and video making whilst studying at the

virgin-suicides

California Institute of Arts.

Coppola’s breakthrough directorial début came in 1999 when she wrote and directed the screen adaptation of the dark and haunting The Virgin Suicides, about adolescent sexuality. Described as being “most vivid, and most effectively cinematic”, Sofia’s creation was imaginative and fearless. In particular, my favourite aspect of The Virgin Suicides was the film’s hypnotic 70’s soundtrack and the way in which Sofia managed to balance the melancholic undertone of the storyline with moments of magic and beauty. Moreover, this includes, the girls’ prom and the introduction of the schools heartthrob Trip Fontaine.

However, by far my favourite piece of Sofia Coppola’s artistic film-making was the 2006 retelling of Marie Antoinette. Marie Antoinette is a biopic of the beautiful

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Queen of France who became a symbol of extravagance and riches. Starring Kirsten Dunst as the teenage Queen, critics described it as a “gorgeous-looking soufflé of a film” with a contemporary pop overlay of hut songs and incongruous dialogue. Most importantly, Marie Antoinette centres on the loneliness of being a female, surrounded by a world who doesn’t know or understand you. For instance, although in the film the young Queen is beautiful and poised, the judgemental court of Versailles give leave her little room to express herself. Consequently, this leads her to overindulge herself in spending and partying in order to escape the rigid court protocol that surrounds her.

In particular, the clip above displays my favourite scene in the movie which demonstrates Marie Antoinette’s idea of frivolity and escapism (something I try to use as inspiration in my daily life whenever I am stressed out).

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About Feminism Through Cinema and Literature

Hi, its Tia. From Cambridge, England. Avid reader, film watcher and feminist. Studying for an undergraduate degree in English Literature at York St John University. The tone of my blog has hopefully developed into a more literary and critical analysis of female roles in cinema and literature. This is a development that I hope to continue as I progress with my studies. Hope you enjoy my blog and do feel free to leave a comment.
This entry was posted in Women in Cinema, Women in Music and tagged , , , , , . Bookmark the permalink.

3 Responses to The Girliest Director in Hollywood.

  1. billandila says:

    I loved how S.Coppola handled “The Virgin Suicides” I’d read the book and felt the film really captured its dreamy tragic weirdness. Good post!

    Liked by 1 person

  2. lynnedavis2 says:

    I love the clip you shared. Think I need to watch this movie again!
    Didn’t she also direct “Lost in Translation”? That’s a favorite of mine.

    Like

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